This Inc article does a good job of succinctly addressing the gap between MVP’s for startups, and the level of quality that most of us expect from our purchases.
After spending the last eleven years in San Francisco and Seattle, we decided it was time to get some more sunshine and get closer to our families to the east. Tomorrow we move to Austin.
My bad play on words aside, Famo.us really is almost famous. I say “almost” because it’s a closed beta and there are several things that might hold it back. It appears that it doesn’t work on any version of IE yet and it’s not clear if that’s in the plans or not. It also gets its performance from making an end-run around a lot of CSS, using matrix3D transforms to GPU-accelerate various operations. The end result is some code that is pretty obtuse looking and not very semantic. You can’t argue with the results though. I’m speaking in broad terms here but you can google for a preso they did late last year that delivers a good overview of what they’re up to. The other big question in my mind is how the more standards-focused folk will feel about this.
I’m curious how this will all play out with Responsive Design and Progressive Enhancement though. It’s still a beta so we’ll have to wait and see.
Hot on the heels of the New York Times article last week, we have this computerworld article about the rise in demand and salaries for UX experts. The article talks about all the usual suspects: Apple, mobile, designer/developer hybrids, the difficulty finding and hiring such folks, and—oddly enough—all the perks that are supposedly being lavished on UX designers. Sounds great, where do I sign up?
Seriously though, it warms my heart to hear such talk. Designers of all type have long been under-appreciated by corporate America. Here’s to hoping that all of this leads not only to more and better employment for designers but also to better products for businesses and consumers.
I can’t resist the trend in design right now. You know the one I’m talking about—everything looks like it’s 1911 all over again. Technically, there are more geometric and grotesque typefaces, more of an emphasis on lettering (and type that looks like lettering), and lots of monochromatic design. I’ve temporarily ditched my site logo mark (the exclamation point with sound waves emanating) and just gone with the flow for now. Trends come and go but when one swells up that you happen to personally dig, you have to jump in before the wave is over.
What’s the significance of 1981? That’s not when I started this blog (that was 2004); it’s when I designed my first apps.
This pretty much outlines why I didn’t blog for my last couple years at Microsoft…